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Jay, Martin. Downcast Eyes. The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press. 1993.

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FILMOGRAPHY

Titles in parentheses are English language release titles. They refer primarily to the Australian releases of films, but where American or British titles vary from the Australian, both titles are included.

Television

Caught on Camera

Jonathan Miller’s The Body in Question (BBC 1978)

Prime Suspect 1-5 (Christopher Menaul et.al. UK, 1990-96).

When Animals Attack!

 Films

...E tu vivrai nel Terrore! L’Aldila (‘The Beyond, Lucio Fulci, Italy, 1981)

8mm (Joel Schumacher, US, 1999)

Africa Addio (‘Africa Blood and Guts’, Gualtiero Jacopetti & Franco Prosperi, Italy, 1966)

Alien (Ridley Scott, US, 1979)

Anthropophagus (‘The Beast’, Joe D’Amato a.k.a. Aristede Massaccesi, Italy, 1980)

Basic Autopsy Procedures (director unknown, US, 1961)

Ben (Phil Karlson, US, 1972)

Blade Runner (Ridley Scott, US, 1982)

BlowUp (Michaelangelo Antonioni, Italy/UK, 1966)

Body Bags (John Carpenter & Tobe Hooper, US, 1991)

Body Parts (Eric Red, US, 1991)

Braindead (‘Dead Alive’, Peter Jackson, New Zealand, 1992)

Buio Omega (‘Blue Holocaust’, Aristide Massaccesi a.k.a. Joe D’Amato, Italy, 1979)

Das Cabinet Des Dr. Caligari (‘The Cabinet of Dr. Caligari’, Robert Weine, Germany, 1919)

Cannibal Ferox (‘Make Them Die Slowly’, Umberto Lenzi, Italy, 1981)

Cannibal Holocaust (Ruggero Deodato, Italy, 1979)

Cape Fear (Martin Scorcese, US, 1991)

La Casa con la Scala nel Buio (‘A Blade in the Dark’, Lamberto Bava, Italy, 1983)

Cat People (Paul Schrader, US, 1982)

Curse of the Crimson Alter (Vernon Sewell, UK, 1968)

Dawn of the Dead (George A. Romero, US and Italy, 1979)

Day of the Dead (George A. Romero, US, 1985)

Death Scenes (Nick Bougas, US, 1989)

Dellamorte Dellamore (Michele Soavi, Italy, 1994)

Demoni (‘Demons’, Lamberto Bava, Italy, 1985)

Demonia (Lucio Fulci, Italy, 1990)

Diva (Jean-Jaques Beineix, France, 1982)

Eraserhead (David Lynch, USA, 1978)

Evil Dead (Sam Raimi, US, 1983)

Executions (David Herman, Arun Kumar and David Monaghan, UK, 1995)

The Exorcist (William Freidkin, US, 1973)

Faces of Death 1-5 (Conan LeCilaire, US, 1978)

The Fly (David Cronenberg, Canada, 1986)

Friday the 13th (Sean S. Cunningham, US, 1981)

Fucked by a Dog (Director unknown, Netherlands, 1996)

Guinea Pig (Kazuhito Kuramoto, late 80s, Japan)

The Hand (Oliver Stone, US, 1981)

Hands of a Stranger (Newton Arnold, US, 1962)

The Hands of Orlac (E.T. Greville, England and France, 1960)

Häxen (‘Witchcraft Through the Ages’, Benjamin Christensen, Sweden, 1922)

Hellbound: Hellraiser II (Tony Randel, UK, 1988)

Hellraiser (Clive Barker, UK, 1987) 

Humongous (Paul Lynch, US, 1981),

I Corpi Presentano Tracce di Violenza Carnale (‘Torso’, Sergio Martino, Italy, 1973)

Il Mostro e in Tavola (‘Flesh for Frankenstein’/ ‘Andy Warhol’s Frankenstein’, Antonio Margheriti, Italy, 1973)

In Einem Jahr Mit 13 Monden (‘In a Year of 13 Moons’, Rainer Werner Fassbinder, Germany, 1978)

The Killing of America (Sheldon Renan, US, 1981)

Kiss the Girls (Gary Fleder, US, 1997)

Lucker the Necrophagous (‘Lucker’, Johan Vandewoestijne, Belgium, 1986)

Macabro (‘Frozen Terror’/ ‘Macabre’, Lamberto Bava, Italy, 1981)

Macchie Solari (‘Autopsy’, Armando Crispino, Italy, 1974)

Mad Love (Karl Freund, US, 1935)

Men Behind the Sun (T.F. Mous, 1987, Hong Kong)

Mio Caro Assassino (‘My Dear Killer’, Tonino Valeri, Italy, 1972)

Mondo Cane (Gualtiero Jacopetti, Italy, 1962)

NekRomantik (Jorg Buttgereit, Germany, 1988)

NekRomantik 2 (Jorg Buttgereit, Germany, 1992)

Night of the Living Dead (George A. Romero, US, 1968)

Opera (‘Terror at the Opera’, Dario Argento, Italy, 1988)

Orlacs Haende (Robert Weine, Austria, 1926)

L’Orrible Segreto del Dr. Hichcock (‘The Horrible Dr. Hichcock’, Ricardo Freda, Italy, 1962)

Paura Nel Citta Dei Morti Viventi (‘City of the Living Dead’/ ‘Gates of Hell’, Lucio Fulci, Italy, 1980)

Plague of the Zombies (John Gilling, UK, 1966)

Poltergeist (Tobe Hooper, US, 1982)

Profondo Rosso (‘Deep Red’, Dario Argento, Italy, 1975)

Pulp Fiction (Quentin Tarantino, US 1994)

Quattro Mosche di Velluto Grigio (‘Four Flies on Grey Velvet’, Dario Argento, Italy, 1971)

Quella Villa Accanto al Cimetro (‘House by the Cemetery’, Lucio Fulci, Italy, 1981).

Revolt of the Zombies (Victor Halperin, US, 1936)

Rosemary’s Baby (Roman Polanski, US, 1968)

Scanners (David Cronenberg, Canada, 1982)

Schindler’s List (Steven Speilberg, US, 1993)

Scream Greats: Tom Savini (Fangoria, US, 1988)

Seven (David Fincher, US, 1995)

Shocking Asia (Emerson Fox, Germany/Hong Kong, 1974)

Shock! Transfer: Suspense: Hypnos (Mario Bava, Italy, 1977)

The Silence of the Lambs (Jonathan Demme, US, 1991)

La Sindrome di Stendhal (‘The Stendhal Syndrome’, Dario Argento, Italy, 1996)

Snow White (Walt Disney, US, 1932)

Snuff (Michael and Roberta Findlay, 1974, US)

Lo Squartatore de New York (‘The New York Ripper’, Lucio Fulci, Italy, 1981)

Suspiria (Dario Argento, Italy, 1977)

Tenebre (‘Tenebrae’, Dario Argento, Italy, 1982)

Terror Circus (Alan Rudolph, US, 1973)

The Texas Chain Saw Massacre (Tobe Hooper, US, 1974)

The Texas Chain Saw Massacre Part 2 (Tobe Hooper, US, 1984)

Thelma and Louise (Ridley Scott, US, 1992)

L’Uccello Dalle Piume Di Cristallo (‘The Bird with the Crystal Plumage’, Dario Argento, 1969)

Ultime Grida Dalla Savana: La Grande Caccia (‘Savage Man…Savage Beast’, Antonio Climati & Mario Morra, Italy, 1975)

Ultimo Mondo Cannibale (‘Last Cannibal World’, Ruggero Deodato, Italy, 1976)

VideoDrome (David Cronenberg, Canada, 1982)

White Zombie (Victor Halperin, US, 1932),

Xtro (Harry Bromley Davenport, UK, 1982)

Zombi 2 (‘Zombie Flesheaters’, Lucio Fulci, Italy, 1979)

 

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